For many of people including myself, there isn’t much time left until the festival is up and away!
I’ve heard many mixed views about how this year’s Leeds/Reading festival will turn out. Personally, I can’t wait for it. I know it’s tough competing with last years line up as it had some of the best metal bands on the planet, such as rock gods Metallica and Rage Against The Machine head lining, along with many other brilliant live acts.
This year on the other hand has rock legends, Faith No More headlining the NME/Radio 1 stage. Also, the amazing Radiohead headlining the main stage. That’s not it, there is a much better selection of bands to suite every taste this year!
Throughout the weekend there’s a wide range of music such as uber dance group, The Prodigy, who will be supporting the Arctic Monkeys on the main stage, Deadmau5 headlining the dance stage, Deftones right along side Fall Out Boy and FFAF plus many more massive names; Kings of Leon and the Lostprophets!
I’m sure most people will agree it is going to be a time to remember for many years to come. I hope all of you attending either Reading or Leeds have an awesome weekend and enjoy all the bands you are wishing to see! =D
How is it that in this day and age Maxim can assign a star rating to it–without actually listening the album?
The review of Warpaint–the new album by The Black Crowes in the March issue of Maxim. The writer who has not listened to the album since advanceCDs were not made available wrote what appears to be an offensive assessment anyway, quoting “it hasn’t leftChrisRobinson and the gang much room for growth.”
The magazine gave the album a two and a half star rating although the writer nor the editor could have heard more than one song (the single “Goodbye Daughters of the Revolution”).
When questioned for an explanation, the magazine described the review as “an educated guess preview.” which is prettypoor.
Black Crowes manager Pete Angelus said, “Maxim’s actions seem to completely lack journalistic integrity and intentionally mislead their readership. When confronted with the fact that they never heard the album they are claiming to ‘review’ in their music section–with a star rating, no less–they attempt to explain that it was an ‘educated guess.’ In an email correspondence, Maxim went on to state: ‘Of course, we always prefer to (sic) hearingmusic, but sometimes there are bigalbums that we don’t want to ignore that aren’t available to hear, which is what happened with the Crowes. It’s either an educated guess preview or no coverage at all, so in this case we chose the former.’”
Angelus also stated, “It speaks directly to the lack of the publication’s credibility. In my opinion, it’s a disgrace to the arts, journalism, critics, the publication itself and the public. What’s next–Maxim’s concert reviews of shows they never attended, book reviews of books never read and film reviews of films never seen?”