The Recording Industry Association of America has won a court battle over copyright infringement settling in their favour for $220 000. This is one of the biggest ever fees and the woman was accussed of sharing only 24 songs.
Furthermore, the penalty was issued without any hard evidence other than the IP address being used. This will now set a precedent meaning they will be more likely to pursue cases like this in court rather than just settling.
Illegal downloading is growing at an enormous rate, up 60% last year alone. This settlement is just a drop in the ocean compared to the vast sums of lost revenue. So it’s a good bet that after this victory the RIAA will be seeking out more cases to pursue.
Blog Posts About This Story Infoshop News writes: “A jury of twelve ordinary Americans from the defendant’s home state didn’t think the penalties were excessive.” In fact, they chose the amount of the penalty, given the fact that the record company plaintiffs left it to the jury to decide what was appropriate. Makes it kind of tough for the defendant and certain commentators to argue that the penalties are so excessive as to be unconstitutional, doesn’t it?”
Teresacentric writes:
In the case of Capitol Records v. Jammie Thomas, Thomas, a single mother of two, was sued for 220,000 thousand dollars. Does this seem fair to you?
Marcs Opinion writes:
RIAA Bankrupts a SINGLE MOM with a 220,000 dollar fine for sharing 24 songs online makes the RIAA look more like a bully than a helpful particapant that they were initially intended to be in place for
Tanglewood is hoping to launch theseguitars officially at NAMM and be shipping by the time Musikmesse rolls around again. Of course you will be able to get these directly from PlayRecord.Net as soon as they become available.
Other Tanglewood / Acoustic Guitar Related Blogs: Tony writes in this blog:
‘Buying a new guitar these days can be a daunting experience for anyone, especially if you care about the music you play…’
Andrew Smith writes in his blog:
‘but having played it a little, I’m wondering if it’s better suited to my style of playing than the Takamine (at least, until I get an evening to put some lighter strings on the Taka…). It has less of a Wow-factor but sounds good without having to dig…’